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Peter Ciuha website

photo: Jože Ciuha and Peter Ciuha

Peter about workshops

Born 1968 in Ljubljana. Studies: BFA in Painting, MFA in Printmaking, MFA in Video. Recognition of important Artistic Works by Council for Higher Education of Slovenia and by University of Ljubljana.

Assistant professor for Graphics @ Academy for Fine Arts and Design in Ljubljana; professor for Drawing & Painting @ Ljubljana's College for Design; author of Workbooks for Visual Arts in Slovenia (for children, age 13-15). 

 

Awards: International Graphics Biennal Ljubljana, 1995 for Fractal prints and for Interactive Installation “Womb” in 2001. Jury: Walter Koschatzky - Wienna, Yong Woo Lee – Seoul/New York, Pierre Restany –Paris. Awarded Research project “Therapeutical use of Womb installation” by National Education Institute Slovenia, 2006; Gold placket Bitola, Children Art World, FYR Macedonia, 1999 (work of students); 24th Graphic Biennial received ”Premio Nacional de Grabado” Calcografie Nacional - Real Accademia of Fine Art, San Fernando, Madrid.

Works in international collections:

Albertina – Kupferstichkabinett, Wienna; Norwegian print triennale Fredrikstad, Norway; Museo d'Arte Contemporanea, Pavia and Intergraf Alpe Adria, Udine, Italy; Museum Kampa, Prague; Cultural Centre Korotan, Wienna.

Presentations on Conferences:

- Visualization of music: VSMM09, Virtual Systems and Multimedia, Wienna; ACM Multimedia 2010, Florence, Italy - Art education: MICY - Motivation for Innovation and Creativity of Youth, Ljubljana, by INSEA - UNESCO. Individual exhibitions: 30+ in Slovenia, Croatia, Serbia, Austria, Italy, France and England; 2015: Slovenian Days: Heydar Aliyev Centre; arch. Zaha Hadid, Baku, Azerbaijan

Selected Group exhibitions:

1994: Festival of Painting Cagnes-sur-Mer, France;

1996: Miniprint Biennial Cadaques & Barcelona & Arts and Music Festival Wingfield, England;

1999 & 2002: Intergraf Alpe Adria Udine, Italy;

2000: Galerie Le Lys, Paris; 2003: Sharjah International Arts Biennial, UAE;

2005: Slowenischer Graphik, Staedtisches Kunstmuseum Singen, Germany;

XIII. Bienal Internacional de Arte de Vila Nova de Cerveira, Portugal;

2012: “The Big Ones!” - International Centre of Graphic Arts Ljubljana, artists: Maria Bonomi, Jagoda Buić, Raul Catellani, Sang-gon Chung, Peter Ciuha, Hanne Darboven, Fabrice Gygi, Keith Harring, Damien Hirst, Kawatchi Seiko, Kobayashi Keisei, Kurt & Plasto, Patrick Mahon, Mayumi Morino, Heinrich Modersohn, Edo Murtić, Raymond Pettibon, Sigmar Polke, Miroslav Šutej, David Tremlett, Klavdij Tutta, Petra Varl, Emilio Vedova, Wakatsuki Kohei, Safet Zec, Giuseppe Zigaina;

2014: Neuvième triennale mondiale de l'estampe, Chamalières - Auvergne, France

About his workshops

  

Peter Ciuha created a unique art program based upon a teaching method „Drawing on the Right Side of the Brain“ that removes obstacles and leads to observation and creation. He uses teaching method with his system of five elements of art: Play and experiment, Symbolic expression, Abstraction, Observation of nature and Expression – synthesis into new.    The course identifies week and strong areas of every individual, allowing to make individual program of challenges and exercises.

 

Synthesis of old into new, means rediscovering fundamental elements of art language through study of contrasts and harmony, new techniques for observing nature, developing courage and playfulness, achieving unity in abstract drawing and painting and bringing all together in great fusion that is unique for everyone.

Discovering techniques of great master Joze Ciuha, continues this journey of self-discovery, by introducing techniques of watercolour where crystallizations of forms and colours are combined with poetry and haiku's, painting on canvas and on acrylic glass. Painting from behind on acrylic glass was technique he invented in sixties during his travels in Burma (Myanmar). Paint applied to glass from behind is not losing its colour intensity during drying process and stays alive as when it is in its wet state. Fundamental for Ciuha's paintings and drawings was a omnipresent human figure. Sometimes realistically painted, but more often a fusion of children illustration and grotesque collage yet always playfull and experimenting. One simply discovers new ways of representation through deeply experiencing voyage into abstraction on one side and re-discovering the process of observation. Both processes dissolve habitual and stylized drawing caught into fixed forms in oneself, giving a new freedom of expression and eventually new joy and motivation – and eventually – success.

Both procesess includes:

Free Painting and Watercolour

Paintings on Plexi-glass

Ilustration, Caricature

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